World Hope Forum ANTI_FASHION

ANTI_FASHION

Curated by Li Edelkoort & Philip Fimmano, Co-Founders, WHF

Saturday, September 28th, 2024

15:00–18:00 (Paris CEST)

9:00–12:00 New York (EST)

Since its creation in 2014, Li Edelkoort's much-talked about ANTI_FASHION Manifesto was the first to raise awareness about the shifts and upheavals experienced in the global garment system. Ten years on, the world has changed as much as the fashion industry itself; often welcoming a more restrained approach that combats fast consumption, spurring a powerful movement towards sustainability, creativity, diversity and uniqueness. To celebrate the tenth anniversary of ANTI_FASHION, World Hope Forum is pleased to present a special webinar, sharing stories of people that lead by example — a slow fashion revolution that includes independent brands, folk favourites, outsider artists, artisan makers, textile farmers and style philosophers.
This free online September event is hosted in collaboration with New York Textile Month and forms part of our ongoing Talking Textiles educational programme.

The winner of 2024 Dorothy Waxman International Textile Design Prize will also be announced in the conference!

Lidewij Edelkoort

Co-Founder World Hope Forum

Li Edelkoort is a trend forecaster, publisher, humanitarian, design educator and exhibition curator. From 2015-2020 she was the Dean of Hybrid Design Studies at Parsons in New York where she founded a Textile Masters and the New York Textile Month festival. Her thought-provoking writings and podcasts have become increasingly popular at a time when she is regarded as an activist and champion for change. In 2020, she founded the World Hope Forum as a platform to inspire the creative community to rebuild a better society. She is also on the Creative Council for all of Gap Inc.’s fashion brands, advising the group on creative innovation and sustainable practice. In 2022, Edelkoort collaborated with Polimoda in Florence to establish an innovative new textile masters called From Farm to Fabric to Fashion.

@lidewijedelkoort

 

Philip Fimmano

Co-Founder World Hope Forum

Philip Fimmano is a trend analyst and consultant, contributing to Trend Union’s forecasting books, magazines and strategic studies for international companies in fashion, textiles, interiors and lifestyle. In 2011, Fimmano co-founded Talking Textiles with Li Edelkoort; an ongoing initiative to promote awareness and innovation in textiles through touring exhibitions, a trend publication, a design prize and free educational programmes – including New York Textile Month, a citywide festival celebrating textile creativity each September. He is the co-author of the design book A Labour of Love (Lecturis, 2020) and the co-founder of the World Hope Forum, a new platform for creative community building. Fimmano is the mentor of Polimoda's fashion forecasting masters and textile masters in Florence, and he is on the Board of Directors for the International Folk Art Market in Santa Fe. Fimmano is also on the Creative Council for all of Gap Inc.’s brands, advising the group on innovation and sustainable practice.

@philipfimmano

Nicole Ex

Founder See All This

Nicole Ex is an editor-in-chief, writer and art historian. After years of working in the field of art and magazine publishing including as editor of Dutch culture magazine Hollands Diep, Nicole founded See All This art magazine in 2015; an award winning quarterly print magazine and online platform which serves as a guide to living with art and nature. In 2019 Nicole launched her foundation Pretty Brilliant; an initiative which aimed to shine light on the work of women artists, in which she pledged to create an anthology of work by female artists which would consist of as many pages as the first print of Janson’s History of Art (the first print of which contained zero women). Nicole has built a constant readership through her work with See All This, in part due to her Wednesday morning columns which give a personal glimpse into her life always through the lens of art. The current issue of the magazine, The Wardrobe as Art Collection (€19.95) was made in collaboration with Li Edelkoort.

@seeallthis seeallthis.com

Kavita Parmar

Founder XTANT

Kavita Parmar stumbled into the fashion industry right out of high school and as they say about people who love what they do, feels like she hasn’t worked a day in her life. In 2010, convinced that transparency and traceability were the need of the hour she started the IOU Project. Creating the hashtag #whomademyclothes. Each IOWEYOU piece comes with a QR code that connects the user back to the artisan weaver and tailor who made the piece thus giving authorship and authentic provenance to the final consumer. The IOU Project documented and put online over 250 master craftspeople in Madras (India) and was a pioneer in using technology to turn supply chains into prosperity chains. The IOWEYOU collection is made with artisan communities across the globe and sold direct to consumer online and with special retailers. Kavita has won many awards for her work including the UNSCC Leadership Award, Luxury Briefing Award for Innovation, SOURCE Award by Ethical Fashion Forum London and the Sustainable Luxury Award in Latin America. In partnership with Marcella Echavarria, in 2018 Kavita co-founded XTANT, her most personal project to date. The pair have worked closely with many artisan communities around the globe, culminating in an annual textile festival on the island of Mallorca each May.

xtant.io @_xtant_ @kavitaparmar

Anas Sheikh

Anas Sheikh is a practicing textile artist and founder of the menswear brand 23°N.69°E . After studying fashion at the Indian Institute of Art and Design. His interests towards the craftsmanship of Ajrakh block prints ignited during his internship with the artisans in Kachchh, Gujarat, deeply influenced his style of working since. He believes the real undertaking should involve hands-on experience while integrating oneself with the surroundings and lifestyle of these artisans. In 2020, 23°N.69°E successfully launched its first collection in collaboration with Sidr craft and Khalid Amin which also resulted in the brand’s collaboration with Victoria and Albert Museum in London. The contemporary artworks of the brand are the voice of the garments, the result of ongoing in depth research craft and local identity: each piece is hand painted and hand block printed using the age old craft technique of ajrak block print in 100% natural dyes.

@23n69e

Daniel Henry

For as long as he can remember, Daniel Henry has been drawn to the arts. Ballet is his first memory, but it was figure skating that allowed him to express himself most. Henry notes how the art form teaches the value of perseverance and hard work, where one learns to fall and keep getting back up. It was through gala costumes that Henry became interested in textiles and, at the age of twenty, he joined La Cambre school in Brussels. There, he quickly realised that material interested him much more than form. The move to the textile design department therefore became an obvious one. A year before graduating in 2001, Henry landed his first contract and became self-employed, setting up a workshop in his family attic. He spent the next fifteen years consulting for the textile industry, working as a designer and artistic director. Over the years, however, the pace quickened, the research aspect became rushed, and frustration set in. So Henry switched to research and development, to focus on the long term, rather than short. At the same time, he never wanted to take off his artisan’s hat, so he offered his know-how to fashion houses, including Maison Margiela. Henry has since devoted all his time to plastic research, with the Sacred as a central theme.

@daniel.henry.studio

AZ Factory

Founded by the late Alber Elbaz in 2019, AZ Factory was a fashion curator that allowed emerging designers to express their creativity to a new level. Partly inspired by the Anti_Fashion Manifesto, AZ Factory became a highly collaborative project, anchored in the highest disciplines of style and savoir-faire. For almost five years, AZ Factory produced pieces that seamlessly blended traditional craftsmanship with forward-looking applications and technology, offering regular immersive experiences throughout well-thought and curated pop-up stores, recreating the eclectic atmosphere of yesteryear fashion stores. in 2024, the start-up ceased production and morphed into an educational initiative, supporting independent designers via a new post-graduate programme called the AZ Academy.

@azfactory